＂Chang ‘an Three Wan Li＂ has a box office of over 200 million, and the two-dimensional ink painting has a long rhyme.

1905 movie network news A group of "two-dimensional ink paintings" was exposed for the first time in the ten-year shocking and fiery release of light-chasing animation. Many groups of scenes presented in the form of traditional ink paintings show the meaning and rhyme of oriental aesthetics to the fullest. After the release, the movie Douban scored 8.0, which became the highest score for the summer movie Douban in 2023! Two days after the release, the box office broke 200 million yuan, and the harvest was constantly praised. The film is being shown nationwide.

From stereoscopic panorama to graceful ink painting, multi-dimensional display of Datang tolerance

The two-dimensional ink painting released by the film vividly visualizes the iconic scene and poetic mood of the Tang Dynasty in detail. People in the Tang Dynasty either fished in a boat on the river alone, or wandered in the famous mountains of Qingya, or watched the flag hunting. The film is dedicated to presenting the colorful scenery of the Tang Dynasty, allowing the audience to experience the magnificent scenery and vivid details of the Tang Dynasty in a multi-angle and immersive way at the same time. Three-dimensional animation is the main presentation form of the film, which depicts the characters and scenes more stereoscopic and vivid. On this basis, the two-dimensional ink and wash scenes are ingeniously inserted into the whole film, which can better reflect the charm of Chinese traditional aesthetics in a soft and enjoyable way without losing color between the magnificent scenes. A variety of forms are combined, and the details are combined into a panoramic scroll of Datang, and the epic sense of the times is coming.

Since the film was released, the ink and wash scenes have been highly praised by the audience, such as "the finishing touch", "showing the oriental artistic conception and conveying the aesthetic concept of China people" and so on; In addition, it has extended the audience’s interest in the film to their lives, evoking the cordial memories of the audience of all ages. The audience have said that "the poems in the textbook suddenly have pictures, and there are all kinds of lovely, tenacious, chic and free poets". "Like the illustrations in Chinese textbooks when I was a child, I suddenly crossed into the world of Tang poetry".

Since its release, it has been well received, and the beauty of Chinese culture is shared by the whole world.

This set of stills visually depicts the unique charm of Datang, the essence of ink and wash forms, and it is a gorgeous chapter in the long river of Chinese traditional culture. The founder once said, "I hope Chang ‘an Three Wan Li can become a seed and bury traditional culture and Tang poetry in everyone’s heart." With the rapid development of the film, the praise for the inheritance of Chinese traditional culture and the development of oriental aesthetics displayed in the film is snowballing, and it has won praise from ordinary audiences, film critics and experts and scholars from all walks of life.

Regarding the combination of poetry and visual aesthetics in Tang poetry, the famous writer Jia experts said that "the film is a form of light and shadow that is truly presented by China’s aesthetics", and some netizens "tap water" to comment on "the romantic feelings of ancient poetry are displayed to the extreme by means of light, shadow and sound painting". More viewers turned their attention to the significance of Tang poetry to traditional culture. "It can be called the most splendid poem of domestic animation, and only the scene of" Coming into Wine "satisfied all my imagination of the romanticism of the Tang Dynasty." "Tang poetry is engraved in cultural genes, and traditional culture is chic and romantic." Chen Caizhi, a researcher at the Institute of Literature of China Academy of Social Sciences, even commented that the film "pursues the light of China culture that has been shining for thousands of years on Li Bai, Gao Shi and Du Fu."

Chang ‘an Three Wan Li, a summer masterpiece of light-chasing animation, was produced by Shanghai Light-chasing Industry Co., Ltd., Beijing Alibaba Film Culture Co., Ltd., Tianjin Cat’s Eye Lithography Culture Media Co., Ltd. and China Film Co., Ltd., jointly produced by Beijing Weimeng Chuangke Network Technology Co., Ltd., issued by Shanghai Taobao Film Film and Television Culture Co., Ltd. and jointly issued and directed by Tianjin Cat’s Eye Lithography Culture Media Co., Ltd. The film is being shown all over the country.